Mysore Dasara - Yakshagana
![]() |
Yakshagana combines, dance, drama and music |
Music, dance and
extempore dialogues are closely intertwined in a Yakshagana performance, where
the dialogue narrates the interpretation of the story/character, while the song
and dance part portrays the emotional aspect.
The dancers undergo rigorous training not only in the dance and music
but also in the learning and understanding of the culture and characters of the
mythological figures. The dancers have to be great orators as well who can
extempore interpret the
characters they are depicting. Through dance and
dialogue, a versatile and experienced Yakshagana artist can inspire the
audience to feel connected with the characters, evoking emotions, empathy, and
excitement. However, nowadays the dialogues are mostly memorized but the thrill
remains as mesmerizing as before.
![]() |
Bright and colourful costumes and interesting headgears |
The tempo of the music
depicts the emotion of the situation; for example, pathos is played out in
slow, gentle beats while fury, fights, and conflicts are played in fast beats.
The movements on the stage are usually circular or semi-circular except in the
battle scenes where diagonal movements are used. Each character has his or her
own style of dancing, acting, and placement in stages. This dance form consists
of footwork, rhythmic movements of the neck, arms and palms, fine postures, as well
as squatting, jumping and reeling movements.
Facial expressions, melodic songs, witty dialogue andhand gestures are important features of Yakshagana |
Extravagant costume,
make-up, and ornaments are the physical highlights of any Yakshagana
performance. Ornaments are made out of light wood, pieces of mirror, coloured
stones and pearls. Costumes consist of flamboyant headgear, decorative chest
armour, ornate armlets, and
belts. They all are made up of light wood and covered with golden foil. Mirror
work on these ornaments helps to reflect light during shows and add more bling
to the costumes.
While the dancers take
the centre stage, the musicians - the playback singer and the artist who plays
the percussion instrument – sit at the back of the stage on an elevated table.
The artist playing the drum is positioned either on the right or left side of
the stage depending on the Yakshagana style.
It is a grandiose
visual art not to be missed and by encouraging such performances, we help to
revive the dying art and keep it alive and thriving.
Comments
Post a Comment